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This, then, is a most unusual exhibition for Venice, where hardly a
spot is left free of ornament and little stands untouched by linear
or painterly composition. Venice is a classical place of
(over) defined forms. Not by chance is the exhibition exiled to Giudecca,
to "ex CantieriNavali", now a semi-industrial complex of repair shops
for motorboats, a place open to the Laguna Veneta, and to its refreshing
breeze. ... (continue)
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